장아이링(张爱玲) 산문집 ≪유언 流言≫에 나타난 ‘집’의 이데아와 트라우마
張愛玲散文集≪流言≫中出现'家'的 观念(idea)与创伤(trauma)
초록/요약
본 연구는 장아이링 산문집 ≪유언≫에 등장하는 ‘집’이 가지는 상징적 의미와 그녀 생애의 트라우마가 작품에 미친 영향을 분석하여, 궁극적으로 그녀가 지향하는 ‘집’의 이데아를 밝히는 것을 목적으로 하였다. 본고는 ≪유언≫에서 집과 관련된 부분을 발췌하고 이를 주디스 허먼의 트라우마 이론을 바탕으로 ‘공포’, ‘단절’, ‘속박’이라는 세 가지 양상으로 구분하여 분석하였다. 이를 통해 장아이링이 집에서 경험한 심리적 억압과 트라우마의 구체적인 양상을 규명하고, 그녀의 작품 속에서 드러난 집의 상징성을 탐구하였다. 연구 결과, 장아이링에게 집은 단순한 물리적 공간이 아니라 심리적 갈등과 사회적 억압의 상징으로 나타났음을 알 수 있었다. 그녀의 작품에 반영된 집은 가부장적 사회 구조와 가족 관계에서 발생한 억압으로 인해 안전하고 안락한 공간이 아닌, 두려움과 속박을 경험하게 하는 장소로 형상화되었다. 집이 주는 공포는 아버지의 폭력과 계모의 방치에서 비롯되었으며, 단절은 어머니와의 분리와 고립감에서 나타났다. 마지막으로 속박은 자유를 잃은 채 폐쇄된 환경과 경제적 제약 속에서 느껴지는 억압으로 표현되었다. 장아이링이 지향한 이상적인 집의 이데아는 심리적 안정을 취할 수 있는 고요하고 쾌적한 환경 속에서 내적 성찰과 창작활동을 가능하게 할 수 있는 공간이었다. 이는 그녀의 생애에 축적된 다양한 트라우마와 대비되는 치유와 자유의 공간으로 구현된다. 그녀에게 집은 여성의 삶을 살아가며 겪어온 억압의 장소이자 이상적 자아실현의 공간이라는 이중적 의미를 지녔다. 이러한 집의 이데아는 그녀의 작품에서 사회적 억압과 개인적 갈등을 넘어선 해방과 평화를 상징하는 보편적 담론으로 자리 잡게 된다. 본 연구는 장아이링의 생애와 문학적 세계를 이해하는 데 있어 ‘집’이 가지는 심리적, 사회적 의미를 탐구하고 이를 통해 그녀의 작품이 어떻게 개인적 경험과 사회적 맥락을 반영하는지를 분석하였다. 이와 같은 과정을 통해 장아이링 작품 속에 담긴 복잡한 감정선을 한층 더 깊이 이해할 수 있는 자료를 제공하고자 한다.
more초록/요약
本研究旨在分析张爱玲散文集≪流言≫中"家"的象征意义，进而探究作者在生平中经受的心理创伤(trauma)给予作品的影响，从而阐明她所向往的"家"观念(idea)。本文选取了≪流言≫中与"家"相关的内容，并以朱迪思·赫尔曼(Judith Herman)的创伤理论为基础，将"家"的象征形式归纳为"恐惧"、"断绝"和"束缚"三种类型进行分析，由此揭示了张爱玲在家庭中经历的心理压迫和创伤，以及她作品中"家"的象征意涵。 研究结果表明，对于张爱玲而言，"家"不仅是一个物理空间，更是心理矛盾和社会压迫的象征。在其作品中，家庭被描绘为一个既令人感到恐惧又充满束缚的空间，而非传统意义上安全舒适的避风港。家所带来的恐惧源于父亲的暴力和继母的冷漠，断绝则体现在她与母亲的分离与孤立感中，而束缚则表现为失去自由的封闭环境和经济限制所带来的压抑感。 张爱玲理想中的"家"是一种能专心进行自我反思和作品创作的一种安静、舒适又能稳定情绪的空间。这一理想与她一生所经历的心理创伤形成了鲜明对比。在她的观念中，"家"既是作为女性而受到压迫的空间，又是能实现理想自我的平台，具有双重意义。在其作品中，这种"家"的概念超越了社会压迫与个人矛盾，成为一种象征解放与和平的普遍性话语。 本研究探讨了"家"在张爱玲的生平与文学世界中所体现的心理和社会意义，并据此分析了其个人经历与社会脉络是如何折射到作品里面的。通过如上研究，本文欲为深入理解张爱玲文学特点及其作品中情感的复杂性提供一些新的研究观点和参考体系。
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국문초록 ···························································································································ⅰ
中文摘要 ··························································································································· ⅳ
I. 서론 ·······································································································1
1. 연구 동기 및 목적 ·····················································································1
2. 선행 연구 검토 ·························································································13
3. 연구 범위 및 방법 ···················································································21
II. 장아이링의 산문 창작과 ‘집’ ······················································24
1. 장아이링 산문의 특징 ·············································································24
2. ≪유언≫의 집필 배경 ·············································································27
3. 장아이링 생애와 ‘집’의 의미 ·······························································29
III. ≪유언≫에서의 ‘집’의 상징과 이데아 ···································40
1. ‘집’의 기본 의미와 전환기적 양상 ·······················································40
2. 전통 가족관에 대한 장아이링의 인식 ·················································54
3. 여성의 사회적 지위와 ‘집’의 이데아 ···················································61
4. 소결 ·············································································································72
IV. ≪유언≫에 나타나는 ‘집’의 트라우마 ····································75
1. 공포와 단절의 공간 ·················································································79
2. ‘집’의 속박 기제 ·······················································································92
3. ‘집’ 공간 설정의 상반성 ·······································································105
4. 소결 ···········································································································118
Ⅴ. 결론 ································································································120
참고문헌 ············································································································123
