고려대학교

초록/요약

In the 1990s, Linbai’s creation drew attention to the literary world for its female writing as an “individual narrative” focusing on urban women’s senses and psychology. She has continued to against social taboos and oppression by talking about women’s desires, narcissism, loneliness, and homosexuality. Her description is an honest description of the female body, sex description, and psychology. Also, she insisted on her own distinctive narrative method that resists mainstream narrative and authoritative discourse. In the early 2000s, she discovered a new person called “rural and rural women” and painted them as a new subject and object of creation. In her creation, she abandoned the person represented by “self” and describes “other people”. In the form of receiving and recording the chatter she heard, she delivers the original rural area to the readers. Showing the reality of the character brings a big change in one’s writing. Linbai once again presents us with the forgotten ordinary people and lives, presenting us with the appearance of rural people who best retain this appearance. It can be said that the change in the subject of the formal content of the Linbai novel is her own growth. It develops from “conversation with another self” to “conversation with the world” and captures her own unique description of understanding and exploration of others. Her writing not only made us question the origins of literature, but also told the stories of women through ordinary stories. In addition, various female subjects have consistently shown interest in female consciousness and subjectivity. It is enough to confirm that she is in an important position in contemporary Chinese literature through her unique description and writing.