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Characteristics of Site and Place of Carved Baduk Rock from the Viewpoint of Korean Traditional Landscape Architecture - Focus in ‘Soillguk(少一局)' Carved Baduk Rock in Muju : 전통조경적 관점에서 본 암각바둑판의 입지 및 장소 특성 - 무주 일사대 암각바둑판을 중심으로

Characteristics of Site and Place of Carved Baduk Rock from the Viewpoint of Korean Traditional Landscape Architecture - Focus in ‘Soillguk(少一局)' Carved Baduk Rock in Muju

초록/요약

‘Baduk' is a traditional game of Korea, China and Japan who are the center of Oriental Culture and has been handed down from philosophical and mythical stories in the other hand. This study makes a result as follow in considering with the meaning, location and identity of Carved Baduk Rock in Ilsadae, Muju with the view of landscape architecture as a part of effort to find the identity of Korean Gardening Tradition. At first, Muju Ilsadae where the Carved Rock is located, is the 55th Korean Traditions which is set by Korean Government. This site is the 6th great landscape among 33 great landscape of Muju Gucheon-Dong and 4th great valley among Muju 9 great valley. And the Mugae-dong Stone Carved Plate shows that this place is one of very important location which has great scenery along with Seobyukjeong. The second, Ilsadae Carving Boduk Rock in Muju is a typical site of mooring carving baduk rock and has a beautiful scenery and pure scream of Wondang-cheon. The third, the size of carved baduk rock is 49.0×49.0cm, and the size of foundation rock is 3.4 ×3.1m, and 1.2m height. In the top side of rock, the Chinese character ‘Soillguk’ is carved. The direction of left side of reference axis as longer axis is NW-SE. Even it was severely worn at this time with the shape of typical baduk board that is 19 times 19 meshes, we guess it was used to play baduk game in the beginning when it was built. The fourth, the builder of ilsadae carved baduk rock is recognized as Byungsun Song who is younger brother of Byungsun Song, Byungwook Kim, Dukha Lee and Byungkyu Lee and the time is estimated as early 20 centuries. The fifth, the carved baduk rock seems to be related to the appreciation for the art when we are considering the location of carved baduk rock because all of them are located in the valley that has very good scenery. Especially, we can imagine that carved baduk rock is pursuing harmony between human and god and succeeding the taste for the art. That is, we can see that this rock has a meaning of the center of elite culture(sunbi culture) that can be reached to the ideal level of unification with the nature and has a meaning of baduk that is a media for rest in peace in the nature. And we can see that this rock is set to be as a tool of rest in the meantime. The sixth, the motive that is carved around the carved baduk rock such as Dongchun(洞天) and Dongmun(洞門) etc. seems to be needed a concept for searching a place for good scenery rather than a concept in the doctrines of Chu-tzu. The seventh, even most of locations where carved baduk stone are located and around of that places are deep valley, but they are mostly the 8 sceneries of this area that are known widely or one of part of them. The other hand, supplement with the example of another site, there is a strong taoismic preferences based on pursuing ideal place because taoismic words have been found, even the carved characters for main builder of scholarship and Sadaebu layer, Therefore, carved baduk rock is a heritage that a phenomenon of culture for pursuing the nature through hiding and depart from actual life trends of scholarship in Chosun Dynasty and deserve to be said to a traditional landscape of Korea.

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