검색 상세

Contemporary Art Museums in Converted Buildings in Shanghai

Contemporary Art Museums in Converted Buildings in Shanghai

  • YU YINGXI (대학원 영상문화학협동과정 영상문화학전공)

초록/요약

Museum research in the twenty-first century requires in- terdisciplinary and multiple perspectives. Several separately studied museum-related disciplines have been organically combined and studied as a whole. The most significant disjoint area is the museum and its building. This thesis takes Shanghai’s three art museums converted from old buildings, the Rockbund Art Museum, the Power Station of Art and the Museum of Contemporary Art Shanghai as examples, analyses how converted buildings naturally enriches with cultural meanings based on several theories and examples concerning architecture, culture, and history.This thesis demonstrates that converted buildings have an ideal narrative environment and a higher level of narrativity. Also, converted build- ings provide an ideal exhibition environment in which the immersive and the discursive experiences coexist. This thesis regards the Rockbund Art Museum and the Power Station of Art as “canon” and the Museum of Con- temporary Art Shanghai as “archive” based on Aleida and Jan Assmann’s concept of “canon and archive.”

more

목차

Abstract
List of Figures
Chapter 1 Introduction
1.1 Background and Purpose
1.2 Methodology and Chapter Outline
Chapter 2 Converted Museums in Shanghai
2.1 Rockbund Art Museum
2.2 Power Station of Art
2.3 Museum of Contemporary Art Shanghai
Chapter 3 Narrativity of Converted Building
3.1 Cultural Value of Converted Building
3.2 Degree of Narrativity of Converted Museum
Chapter 4 Visitors of Converted Museum
4.1 Immersive Experience of Visitors
4.2 Discursive Experience of Visitors
Chapter 5 Contemporary Art and Converted Museum
5.1 Concept of “Canon” and “Archive” of Aleida Assmann
5.2 “Canon” and “Archive” of Converted Museum
Chapter 6 Conclusion
References

more
반출 Meta View 목록