A Semiotic Approach to the Spatial Signification of Shanghai Shikumen Longtang
- 주제(키워드) Architectural semiotics , Spatial signification , Shanghai Shikumen Longtang
- 발행기관 고려대학교 대학원
- 지도교수 김성도
- 발행년도 2014
- 학위수여년월 2014. 2
- 학위구분 석사
- 학과 일반대학원 언어학과
- 세부전공 기호학 전공
- 원문페이지 65 p
- 실제URI http://www.dcollection.net/handler/korea/000000048328
- 본문언어 영어
- 제출원본 000045791206
초록/요약
This paper uses the basic principle of modern semiotics as a tool to analyze Shanghai Shikumen Longtang, which is a unique residential architectural form in Shanghai, China. The spatial structural system of Shanghai Shikumen Longtang is a sign system based on the architectural semiotics. This paper focuses on the structure of the architectural space, including an interactive relationship between the architectural spatial structure and the residents. The main research part of this paper is to deliver the theoretical study of modern architectural semiotics through the syntactic and the semantic analysis of the spatial structure of Shanghai Shikumen Longtang. Thus, this study examines the pragmatics of meaning in production and reproduction in Shanghai Shikumen Longtang. This paper aims to demonstrate the spatial language grammar, meaning of the sign system of the architectural spatial structure and pragmatic communication of Shanghai Shikumen Longtang, decode the profound and intricate signification in the spatial system of Shanghai Shikumen Longtang. The semiotic approach to the spatial structural recognition of Shanghai Shikumen Longtang explores a deeper and broader field to recognize the underlying meaning system of the Longtang in urban space of modern Shanghai City.
more목차
1. Introduction 1
1.1. Overview 1
1.2. Research Purpose 7
2. Research Background 8
2.1. Architectural Semiotics 8
2.2. Previous Studies 10
3. Basic Methodology 12
3.1. Architectural Syntactic Analysis 12
3.2. Architectural Semantic Analysis 14
3.3. The Pragmatics of Meaning 16
4. Analysis Results of Shanghai Shikumen Longtang 18
4.1. Syntactic Analysis 18
4.1.1. Spatial Grammar 18
4.1.2. The Asymmetric Allocation 22
4.1.3. The Spatial Value of Shikumen Longtang 25
4.2. Semantic Analysis 30
4.2.1. Syntagmatic and Paradigmatic Relations 30
4.2.2. Significations of the Garret 32
4.2.3. Significations of Shikumen 35
4.2.3.1. The Style of Shikumen 35
4.2.3.2. The Decoration of Shikumen 37
4.2.3.3. Denotation and Connotation 39
4. 3. The Pragmatics of Meaning 41
4.3.1. Ideology of Shikumen Longtang 41
4.3.2. The Spatial Production and Reproduction 47
5. Conclusions and Further Studies 50
References 52
